john scofield combo 66

Combo 66 marks Scofield's sixty-six years, whilst also celebrating a new working group. The band, new and old, seems to pull from all the right places and falls together like a group of old friends. This is full on jazz but he's not interested in playing over anyone's head; it seems like he'd rather be *in* your head, twisting, bending, and gnarling it out on 6 strings, with a killer trio backing him up. Archer is a member of Robert Glasper's acoustic trio and has a long history with trumpeter Nicholas Payton and alto saxophone master Donald Harrison. Combo 66 a studio album by American jazz musician John Scofield.The album was released on 28 September 2018 by Verve label.

Please try again. "New Waltzo" is, of course, another tune in three with Clayton's B3, this time faster and dirtier in tone. Scofield won consecutive `Best Jazz Album' GRAMMY Awards for Past Present (2016) and Country For Old Men (2017) - for which he also won the GRAMMY Award for `Best Instrumental solo'. Encore une fois Scofield nous étonne ! Son jeu est tout en subtilité mais le swing est toujours présent (Combo Theme par exemple) et le blues n'est jamais loin dans ses compositions. Even at this tempo, Scofield can move into gorgeous double-time phrasing at will during his solo, creating the kind of sudden rush of melodic invention that makes his playing so delectable. Your recently viewed items and featured recommendations Here are ten examples of the latter.In Jamila Woods' latest single "SULA (Paperback)", Toni Morrison and her 1973 novel of the same name are not static literary phenomena. Please try againSorry, we failed to record your vote. a real good jazz guitar album from the John Scofiled Please try againSorry, we failed to record your vote. There was an error retrieving your Wish Lists. A good entertaining production. With Stewart on the kit, it is somehow always both.The grooving opener, "Can't Dance", is a swinger with a sexy throb at its heart. The bassist is Vicente Archer, a generation younger but from Woodstock, New York, which is Scofield's neighborhood these days. It struck me today, that this record is a incredible representation of the depth and mastery with which John Scofield continues to amaze me, IN SO MANY different styles and genres!!! they are never boring and it makes fun listening to him. "Willa Jean", for example, starts with a grimy sound from Scofield's guitar, establishing a swaying, swampy 6/8 time. On the one hand, he was playing with the likes of Gerry Mulligan and early fusion player in the 1970s, so he must be older. Clayton's organ sound here warbles beautifully through some delicious distortion and then, with more stops pulled out, develops a gritty tone that encourages Sco to comp more aggressively before reentering.Several of the tunes swing like mad. The Jazz Guitar Chord Compilation: Three Essential Jazz Chord Books in One Martin Taylor Beyond Chord Melody: Master Jazz Guitar Chord Melody with Virtuoso Ma... Advanced Arpeggio Soloing for Guitar: Creative Arpeggio Studies for Modern Rock & F... Martin Taylor Single Note Soloing for Jazz Guitar: The Complete Guide to Melodic Ja... Jazz Guitar Chord Mastery: A practical, musical guide to all guitar chord structure... Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. Scofield is the sum of those many years, and you can hear his influences subtly vying for attention, every guitarist that a kid in the '60s was listening to, all balled up into a seriously skilled protege of Jim Hall, and a Miles alumnus to boot. The music is comfortable like your oldest, happiest pair of khaki pants, but it's also hip as all get-out, like those khakis Miles Davis wore when he was recording in the late 1950s.Scofield's popular success of the last 20 years has been built on his effortless and without-compromise appeal to a generation of jam-band fans (read: Deadheads and Phishheads whose musical interests run to New Orleans funk, the Allman Brothers Band, and strong, melodic improvising generally), beginning with his better-the-more-you-listen-to-it 1998 album Recent years, however, have seen Scofield playing music that veers back toward straight-ahead jazz but, miraculously perhaps, still carries the lessons and sheer fun of the playful jam-jazz that reminds us that the form still can move feet as well as the heart.